Taiwan Docs

Memory resembles an "afterimage," which often lingers in our minds – gently oscillating till it fades away. As the artist looks to her own family images and recalls the past, she recognizes a great gap between memory and photographs. Using herself as the self-object, CHEN analyzes the existence of "I," examining the  relationship between body, memories, images, and death. This work is an attempt to exhibit the path of her reflections.